21 and over only
All tickets are nonrefundable and nontransferable with the exception of event cancellation. Support acts are subject to change.
On her debut album ALONE AT LAST, Tasha celebrates the radical political act of being exquisitely gentle with yourself. For years, the Chicago songwriter has dreamed hard of a better world -- she's worked with the local racial justice organization BLACK YOUTH PROJECT 100 and has been on the front lines at protests around the city. But as she returned to the guitar, an instrument her mother first taught her to play when she was 15 years old, she began exploring the ways music can be a powerful force for healing. It might not fix a deeply broken world all by itself, but it can offer comfort and respite for those who, like her, dare to imagine a thriving future.
Citing Robin D. G. Kelley's book FREEDOM DREAMS as a foundational text to her artistic practice, she says, "BLACK FOLKS IMAGINATION INHERENTLY IS A RADICAL THING. IN A PLACE OF OPPRESSION AND COLONIZATION, THE ABILITY TO IMAGINE A FUTURE, IMAGINE MAGIC, IMAGINE SOMETHING BETTER, IS SUBVERSIVE. PEOPLE DON'T WANT YOU TO BE ABLE TO IMAGINE YOURSELF OUTSIDE OF THE PLACE THAT YOU'VE BEEN PUT." So she started asking: "WHAT DOES MY IMAGINATION MEAN TO ME AS A RADICAL THING?" Because Tasha's music has served her so profoundly as she's made it, she hopes it can be a source of strength for others, too. "I'M ONLY ABLE TO HANDLE THE WORLD BECAUSE I CAN WRITE THESE SONGS," she says, "SO I'D LIKE TO THINK THAT I HELP OTHER PEOPLE DEAL WITH THE WORLD FOR THE SAME REASON."
Across ALONE AT LAST'S seven tracks, Tasha sings mantras of hope and restoration over lush guitar lines inspired by the stylings of Nai Palm and Lianne La Havas -- both artists who, like Tasha, opt for a sweetness in their playing over the masculinized bravado that often accompanies the electric guitar. "YOU/TAKE CARE OF YOUR LITTLE BODY," Tasha urges on the record's spoken word opener. On "KIND OF LOVE," she paints falling for someone as the gateway to a new world where anything's possible, and on "SOMETHING ABOUT THIS GIRL," she notes the profound strength that comes from vulnerability: "ALL HER SOFTNESS MAKE HER TOUGH."
"THESE SONGS ARE BED SONGS," Tasha says of Alone At Last. "SONGS ABOUT THE PLACE THAT ONE MIGHT GO WHEN THEY FINALLY NEED TO BE AWAY FROM WHATEVER IT IS THAT MIGHT BE CAUSING THEM STRESS OR ANXIETY OR SADNESS OR FEAR." In the world she conjures within the album, there's plenty of room to forge your own home where you can rejuvenate and heal -- where you don't have to be a superhero and you don't have to save the world all by yourself, where nothing is expected of you except that you just be. It's the kind of album you can curl into after a hot summer day in the city: a powerful talisman in a demanding world, and a reminder that kindness toward the self can help unlock the way to a world a little more livable than this one.
Madison McFerrin Biography:
Madison McFerrin is an independent singer-songwriter based in Brooklyn, NY. In December of 2016, she quietly introduced her soulful take on a cappella to the world when she self-released Finding Foundations: Vol. I. After one listen, tastemaking DJ, Gilles Peterson, snatched up her standout track, “No Time to Lose,” for his Brownswood Bubblers compilation. Leading up to her sold out debut show at Joe’s Pub, the New York Times remarked how her sound “shows wonderful vocal dexterity, deftly swerving from sharp, clearly enunciated staccato bursts to fluttery, free-form melismata.”
In February of 2018, she gave her listeners more of her distinctive sound that Questlove dubbed “soul-appella” when she self-released Finding Foundations: Vol. II. Her SXSW 2018 debut led legendary KCRW DJ Anne Litt to remark, “there’s some sort of joy and beauty in the way that she performs that really drew me in all that much more.” Pitchfork Magazine followed this up by declaring, “Madison McFerrin is making a cappella cool again” in a Rising Artist profile. She subsequently performed at Pitchfork’s Rising Artist showcase at Northside Fest, OctFest, Paris Avant Garde showcase and inaugural Midwinter Event at the Art Institute of Chicago. Along with these noteworthy performances, Madison has also dazzled European crowds with her one-woman show of looping hypnotic harmonies live from London to Poland.
Beyond the stage, Madison’s one-of-a-kind vocals can be heard in episodes of Comedy Central’s Broad City and HBO’s Random Acts of Flyness.
This year, Madison plans to build upon this momentum by pairing her timeless voice with modern production on her new project, You + I, which quickly had its lead single “TRY” rack up 500K+ views in her debut COLORS session.
925 East Pike Street
Seattle, WA, 98122